Heath Ledger has been found dead BBC’s ‘Ashes to Ashes’ Promo
Jan 22

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So, the Academy announced their Oscar Nominations today. And it’s all a bit unsuprising to be perfectly honestly though one or two suprises - am personally very suprised that ‘Juno’ got nominated at all.I’m predicting ‘Atonement’ will win practically every category it’s nominated it in.. it’s an absolutely dreary and vile film - though the Academy will EAT IT UP!

Really hope Casey Affleck wins the ‘Best Supporting Actor’ Oscar as he was fantastic in both ‘The Assassination of Jesse James..’ and ‘Gone Baby Gone’ but not a chance of him winning it unfortunately. Philip Seymour Hoffman will probably get it.

‘Once’ deserves the best ‘Original Song’ Oscar without a doubt, but disappointed that ‘Juno’ wasn’t nominated for it’s score (mainly contributed by Kimya Dawson).

Daniel Day Lewis has the ‘Best Actor’ in the bag.. and well-deserved as he was absolutely phenomenal in it. I now forgive him for his over-acting in ‘Gangs Of New York’.

Anyways, the nominations are below and the ceremony takes place on February 25th.

BEST PICTURE

  • “Atonement”
  • “Juno”
  • “Michael Clayton”
  • “No Country for Old Men”
  • “There Will Be Blood”

BEST ACTRESS

  • Cate Blanchett, “Elizabeth: The Golden Age”
  • Julie Christie, “Away From Her”
  • Marion Cotillard, “La Vie en Rose”
  • Laura Linney, “The Savages”
  • Ellen Page, “Juno”

BEST ACTOR

  • George Clooney, “Michael Clayton”
  • Daniel Day-Lewis, “There Will Be Blood”
  • Johnny Depp, “Sweeney Todd”
  • Viggo Mortensen, “Eastern Promises”
  • Tommy Lee Jones, “In the Valley of Elah”

BEST SUPPORTING ACTRESS

  • Cate Blanchett, “I’m Not There”
  • Ruby Dee, “American Gangster”
  • Saoirse Ronan, “Atonement”
  • Amy Ryan, “Gone Baby Gone”
  • Tilda Swinton, “Michael Clayton”

BEST SUPPORTING ACTOR

  • Casey Affleck, “The Assassination of Jesse James by the Coward Robert Ford”
  • Javier Bardem, “No Country for Old Men”
  • Hal Holbrook, “Into The Wild”
  • Philip Seymour Hoffman, “Charlie Wilson’s War”
  • Tom Wilkinson, “Michael Clayton”

BEST DIRECTOR

  • Paul Thomas Anderson, “There Will Be Blood”
  • Joel Coen and Ethan Coen, “No Country for Old Men”
  • Julian Schnabel, “The Diving Bell and the Butterfly”
  • Tony Gilroy, “Michael Clayton”
  • Jason Reitman, “Juno”

BEST ORIGINAL SCREENPLAY

  • Diablo Cody, “Juno”
  • Nancy Oliver, “Lars and the Real Girl”
  • Tony Gilroy, “Michael Clayton”
  • Brad Bird, Story by Jan Pinkava, Jim Capobianco, Brad Bird, “Ratatouille”
  • Tamara Jenkins, “The Savages”

BEST ADAPTED SCREENPLAY

  • Paul Thomas Anderson, “There Will Be Blood”
  • Christopher Hampton, “Atonement”
  • Ronald Harwood, “The Diving Bell and the Butterfly”
  • Joel Coen and Ethan Coen, “No Country for Old Men”
  • Sarah Polley, “Away From Her”

BEST FOREIGN LANGUAGE FILM

  • “Beaufort” (Israel)
  • “The Counterfeiters” (Austria)
  • “Katyn” (Poland)
  • “Mongol” (Kazakhstan)
  • “12″ (Russia)

BEST ANIMATED FILM

  • “Persepolis”
  • “Ratatouille”
  • “Surf’s Up”

BEST ART DIRECTION

  • “American Gangster”
  • “Atonement”
  • “The Golden Compass”
  • “Sweeney Todd: The Demon Barber of Fleet Street”
  • “There Will Be Blood”

BEST CINEMATOGRAPHY

  • “The Assassination of Jesse James by the Coward Robert Ford” Roger Deakins
  • “Atonement,” Seamus Mcgarvey
  • “The Diving Bell and the Butterfly,” Janusz Kaminski
  • “No Country For Old Men,” Roger Deakins
  • “There Will Be Blood,” Robert Elswit

BEST COSTUME DESIGN

  • “Across the Universe,” Albert Wolsky
  • “Atonement,” Jacqueline Durran
  • “Elizabeth: The Golden Age,” Alexandra Byrne
  • “La Vie En Rose,” Marit Allen
  • “Sweeney Todd: The Demon Barber Of Fleet Street,” Colleen Atwood

BEST DOCUMENTARY FEATURE

  • “No End in Sight”
  • “Operation Homecoming: Writing the Wartime Experience”
  • “Sicko”
  • “Taxi to the Dark Side”
  • “War/Dance”

BEST DOCUMENTARY SHORT SUBJECT

  • “Freeheld”
  • “La Corona” (”The Crown”)
  • “Salim Baba”
  • “Sari’s Mother”

BEST FILM EDITING

  • “The Bourne Ultimatum,” Christopher Rouse
  • “The Diving Bell and the Butterfly,” Juliette Welfling
  • “Into the Wild,” Jay Cassidy
  • “No Country for Old Men,” Roderick Jaynes
  • “There Will Be Blood,” Dylan Tichenor

BEST MAKEUP

  • “La Vie en Rose”
  • “Norbit”
  • “Pirates of the Caribbean: At World’s End”

BEST ORIGINAL SCORE

  • “Atonement”, Dario Marianelli
  • “The Kite Runner”, Alberto Iglesias
  • “Michael Clayton”, James Newton Howard
  • “Ratatouille”, Michael Giacchino
  • “3:10 to Yuma”, Marco Beltrami

BEST ORIGINAL SONG

  • “Falling Slowly” from “Once”
  • “Happy Working Song” from “Enchanted”
  • “Raise It Up” from “August Rush”
  • “So Close” from “Enchanted”
  • “That’s How You Know” from “Enchanted”

BEST ANIMATED SHORT FILM

  • “I Met the Walrus”
  • “Madame Tutli-Putli”
  • “Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)”
  • “My Love (Moya Lyubov)”
  • “Peter & the Wolf”

BEST LIVE ACTION SHORT FILM

  • “At Night”
  • “Il Supplente (The Substitute)”
  • “Le Mozart des Pickpockets (The Mozart of Pickpockets)”
  • “Tanghi Argentini”
  • “The Tonto Woman”

BEST SOUND EDITING

  • “The Bourne Ultimatum”
  • “No Country For Old Men”
  • “Ratatouille”
  • “There Will Be Blood”
  • “Transformers”

BEST SOUND MIXING

  • “The Bourne Ultimatum”
  • “No Country For Old Men”
  • “Ratatouille”
  • “3:10 to Yuma”
  • “Transformers”

BEST VISUAL EFFECTS

  • “The Golden Compass”
  • “Pirates of the Caribbean: At World’s End”
  • “Transformers”

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